Source: http://www.bild.bundesarchiv.de/archives/barchpic/search/_1288248565/?search [form] [SIGNATURE] = B +145 + Page F073370-0007
Ernst Jünger (2nd from left)
The text "The Song of the Machines" (taken from: the adventurous heart) by Ernst Jünger (1895-1998), a soldier and poet, is concerned with the people, language, and especially the technical developments and their aesthetic effect.
disciples owner describes how the external appearance of the art and the aesthetics of technology that is perceived as an inner experience, as a fascination manifested and strengthened this language by aestheticization, over height, Emotive, manipulating and Herosisierung the rationale of the art. Thus, contrary to the language and the literature it as a form ästhetiosche another side of technology. Younger but always in the dialectical view.
Man is thus so fascinated and taken that one could speak of a stunning by aesthetics, metaphorically comparable to the effect of the sweet and dangerous opium.
disciples also brings the naturalness of the technical developments and to strive for them with his animal metaphors to express.
The text "The Song of the Machines" (taken from: the adventurous heart) by Ernst Jünger (1895-1998), a soldier and poet, is concerned with the people, language, and especially the technical developments and their aesthetic effect.
disciples owner describes how the external appearance of the art and the aesthetics of technology that is perceived as an inner experience, as a fascination manifested and strengthened this language by aestheticization, over height, Emotive, manipulating and Herosisierung the rationale of the art. Thus, contrary to the language and the literature it as a form ästhetiosche another side of technology. Younger but always in the dialectical view.
Man is thus so fascinated and taken that one could speak of a stunning by aesthetics, metaphorically comparable to the effect of the sweet and dangerous opium.
Dealing with these drives disciples called the "real thing" because they can not be suppressed.
Here Point is then the risk for the eventuality to the glowing and delightful feeling. This one feels in these situations, pain and pride in one. Since
war for him is the logical consequence of the advance of technology, this stand at the forefront of the development. As an illustration, he cites the Somme battle in which he called the attack "a recreation, a social act," in which the grotesque, sarcastic exaggeration of the war lies.
The conclusion of this paper by Ernst Jünger can be said therefore that people would find enjoyable and that mechanization is the humanity in themselves part of the creative crowd.
report to Ernst Younger (1st part), 1977 on 3sat: find other parts to www.youtube.
Here Point is then the risk for the eventuality to the glowing and delightful feeling. This one feels in these situations, pain and pride in one. Since
war for him is the logical consequence of the advance of technology, this stand at the forefront of the development. As an illustration, he cites the Somme battle in which he called the attack "a recreation, a social act," in which the grotesque, sarcastic exaggeration of the war lies.
The conclusion of this paper by Ernst Jünger can be said therefore that people would find enjoyable and that mechanization is the humanity in themselves part of the creative crowd.
report to Ernst Younger (1st part), 1977 on 3sat: find other parts to www.youtube.
rate: Q 3 / 4 pl1
topic: Ernst Jünger - the song of the machines
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