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literature Tip: American pragmatism

indication from some students a literary reference Tip and literature to Richard Rorty, a representative of American pragmatism.

On the Internet platform of the journal "Information philosophy" we find the article " relativism - Find and invention ". the 1997

topics:

• relativism as Antiplatonismus
• Two" relativistic "traditions
• philosophy from a pragmatic standpoint
• moral decision as a compromise between competing goods

the URL ....

http://www.information-philosophie.de/?a=1&t=563&n=2&y=1&c=1

About his person and his philosophical position has pragmatism Bärbel Frischmann has written an article: [ click ]

Richard Rorty on pragmatism and truth:

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Q 3 / 4: There is nothing better than a joke!

In the text "Beautiful objectivity" (from: Preschool of Aesthetics), Jean Paul (1763 - 1825) the different views of beauty in poetry.

On the one hand, Paul describes the poetry of the ancient Greeks and their myths and gods as a "reality of the poetry." And the "modern poet" as "poetry from reality ". This contrast is not the only one in the (dialectical) text, but only one of many with which Jean Paul holds the various benefits of Greek classical and romantic to today. He compares the polytheistic faith, with the dull-gleaming Saturn and its rings and moons, and will even like the hot, sun-Mercury is near.
Despite the many metaphors and paradoxical formulations can see Jean Paul's position never clear, but one believes even listen to an ironic undertone out, losing only in the different levels of rational-analytic interpretation.
is Throughout the text, the question of objectivity in poetry, and its aesthetic value never sufficiently clarified and remains one at the end, only the knowledge that all objectivity in the arts can only be subjective, and thus the whole discussion is irrelevant. But the attempt to abstract the analysis comes from Jean Paul has a certain comic alike. To this extent, - said Jean Paul - only the wit, the funny and the humor is genuinely lovely.

Source:

Friedrich Meier (1785-1815): Portrait of Jean Paul, 1810, Oil on canvas, 59.5 x 50.7 cm Gallery: Alte Nationalgalerie Berlin, A II 865 --------------------------------------
blog post by: Patrick Minke

price: Q3 / 4 pl2 gN
Date: 28.10.10

topic: - "power words" Jean Paul Nice objectivity

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power words - Poetry Slam at the Opera House!



Hanover poet battle guest on November 7 for the second time in the opera house Based on Richard Wagner's "Ring des Nibelungen. devote ten of the best German Slam poet whose texts on "power and greed

After the huge success and sold out with 1202 spectators in March 2010 he is finally back: Lower Saxony, no, North Germany's largest Poetry Slam! Ten poets from Germany, Austria and Switzerland compete live and rapidly with their texts in the sacred halls of the opera house for the favor of Publik-ums. Pate is Richard Wagner's "Ring des Nibelungen" for the theme this extraordinary poet battle in which it hails text and staccato syllables-somersaults and the audience decides on the best contribution of the evening is: "power and greed." A theme that has it all. Fire News. Explosive. And guarantees brilliant word acrobatic staged. So on. On a show of force in the opera. Or two ...

enter the competition among other Etrit Hasler (St. Gallen / Switzerland), Frank Klötgen (Berlin), Tobias Kunze (Hannover), Nils-Elias Molle (Hannover), Etta Streicher (Hamburg), Dominique Macri (Marburg), Tobi Heyel (Stuttgart), Markus "Koschuh" Kozuh (Innsbruck / Austria) on. By the evening, the authors and literature organizer Henning Chadde and Jan Egge Sedelies

MAKES WORDS - The Poetry Slam at the Opera House

poet battle on "power and greed"

Sunday, 07/11/2010, doors open.! 19 Clock, Start: 20 clock

Staatsoper Hannover, Opera Platz 1, 30159 Hannover

Admission: 8, - € (VVK and AK), reduced 5, - €

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Q 3 / 4: disciple - The song of the machines

Source: http://www.bild.bundesarchiv.de/archives/barchpic/search/_1288248565/?search [form] [SIGNATURE] = B +145 + Page F073370-0007

Ernst Jünger (2nd from left)
The text "The Song of the Machines" (taken from: the adventurous heart) by Ernst Jünger (1895-1998), a soldier and poet, is concerned with the people, language, and especially the technical developments and their aesthetic effect.
disciples owner describes how the external appearance of the art and the aesthetics of technology that is perceived as an inner experience, as a fascination manifested and strengthened this language by aestheticization, over height, Emotive, manipulating and Herosisierung the rationale of the art. Thus, contrary to the language and the literature it as a form ästhetiosche another side of technology. Younger but always in the dialectical view.
Man is thus so fascinated and taken that one could speak of a stunning by aesthetics, metaphorically comparable to the effect of the sweet and dangerous opium.

disciples also brings the naturalness of the technical developments and to strive for them with his animal metaphors to express.

Dealing with these drives disciples called the "real thing" because they can not be suppressed.
Here Point is then the risk for the eventuality to the glowing and delightful feeling. This one feels in these situations, pain and pride in one. Since
war for him is the logical consequence of the advance of technology, this stand at the forefront of the development. As an illustration, he cites the Somme battle in which he called the attack "a recreation, a social act," in which the grotesque, sarcastic exaggeration of the war lies.

The conclusion of this paper by Ernst Jünger can be said therefore that people would find enjoyable and that mechanization is the humanity in themselves part of the creative crowd.


report to Ernst Younger (1st part), 1977 on 3sat: find other parts to www.youtube.

rate: Q 3 / 4 pl1
topic: Ernst Jünger - the song of the machines